2023全新駐園大戲《怪盜˙神判˙綠珍珠》 - News

Home News 2023全新駐園大戲《怪盜˙神判˙綠珍珠》
2024-02-22
四季篇

2023全新駐園大戲《怪盜˙神判˙綠珍珠》

劇情介紹

經過長年苦苦蒐集,東海龍王總算將綠珍珠碎片蒐集齊全,只差其一。這天深夜,龍宮警鈴大做,缺一片的綠珍珠竟然被偷走了!依據現場靈氣追蹤,鎖定嫌犯藏匿位置:位於宜蘭傳藝園區之月河中!龍王率百萬大軍兵臨城下,宜蘭傳藝園區主神文昌帝君為維護園區和平,睿智地化解了兵戎相向。

一切將演變成一場世紀大審判……。那位神偷是誰?為何從龍王手中盜走綠珍珠?消失的碎片去向為何?當年的悲劇究竟誰對誰錯?一切的答案,都將在傳藝園區內揭曉……。

 

After years of searching, the Dragon King of the East Sea finally collected all of the Green Pearl’s fragments, only missing one. Suddenly, in the middle of the night, alarm bells in the Dragon Palace went off, and the Green Pearl was stolen! By tracking the pearls aura, they locked on to the target, and found the thief’s hiding place: Yilan Park of National Center for Traditional Arts.

The Dragon King led an army of millions to retrieve his gem, but Wenchang Dijun, wisely resolved the confrontation in order to maintain peace.

As a great trial is about to unfold, questions are left unanswered...

Who is the thief? Why did he steal the Green Pearl from the Dragon King? Where did the missing piece go? What is the tragedy that started it all? All the answers will be revealed in Yilan Park of NCFTA...

 

 

創作理念

《怪盜˙神判˙綠珍珠》是一齣兼具傳統與創新的作品,在創作的歷程中,我們更想帶給前來觀光的遊客一場「體驗」,而非「演出」。整個傳藝園區古色古香的街道與怡人的風景就是最美的舞台。

為了讓觀眾在過程中能夠更沈浸於故事與場景的氛圍,我們使用了諸多方法,例如:安排遊街到劇場內的劇情直接連貫;故事就是發生在現場的傳藝園區,而非把傳藝園區當成一個演出的虛構空間;以及將觀眾定位為「遊客」與「參審民眾」,並不是觀看者,而是身處故事之中的一部分,如此讓觀者發現自己不再是觀眾,而是參與者,進而認知自己正在親身經歷這個故事。

在作品中我們將現代科技與傳統戲劇元素相結合,以打造新奇有趣的體驗,拉近與觀眾的距離;在品味故事的同時,也能打開對傳統藝術的好奇心。我們希望透過傳統戲與當代劇場的表演形式結合,來尋找新的可能性並碰撞出別具一格的火花。

戶外表演中,遊行和互動結合了AR技術,讓觀眾可以透過手機參與;劇場內演出結合了京劇、歌仔戲、雜技與特技表演;套用音樂劇的敘事手法及當代劇場的角色心理轉折推進劇情,讓故事從原本單純的竊案審判收束成一場動人的親情和解。

在創作這個作品的過程中,激發我們許多想像,多種不同的元素互相碰撞在一起,有時候似乎有點不協調,有時候卻又帶給我們意外的感動,相距甚遠的形式並肩而行,竟然也能和解成美麗的樂章,就像龍王與和平最終的團圓。希望這些驚喜的感動,也能傳達到每一位前來光臨《怪盜˙神判˙綠珍珠》的朋友心中。

《怪盜˙神判˙綠珍珠》is a production that combines tradition and innovation. During our creative process, we wanted to bring an "experience" rather than a "performance" to the tourists who come to visit. The whole traditional arts park with its ancient streets and beautiful scenery is the most beautiful stage.

To allow the audience to be more immersed in the atmosphere of the story and scenes, we used various methods , such as arranging the performance route from street to theater to be directly connected to the story ; rather than using it as a fictional space for performance, the story takes place indirectly in Yilan Park of NCFTA; and positioning the audience as "tourists" rather than viewers, making them part of the story, so that the audience realizes that they are no longer spectators, but participants, and thus experiences the story firsthand.

In our work, we combine modern technology and traditional theatrical elements to create a new and interesting experience, to open up their curiosity for traditional arts while they appreciate the story. We hope to find new possibilities and create a unique spark through the combination of traditional theater and contemporary theater performance. We also combined AR technology during the part of the outdoor parades, allowing the audience to participate through their mobile phones. The indoor performance combines Peking Opera, Taiwanese Opera, acrobatics, and stunt performances. The narrative techniques of musicals and contemporary theater's character psychology are applied to drive the story, transforming the original simple case of theft into a touching family reconciliation.

In the process of creating this work, we were inspired by many imaginative thoughts, with various elements colliding together. Sometimes it seemed a bit disjointed, but at other times it brought us pleasantly unexpected emotions. All the different elements and art forms somehow go hand in hand and surprisingly reconcile into a beautiful symphony, just like the story of the Dragon King and 和平. We hope these delightful emotions will also be conveyed to each and everyone of you who get to experience this play.

 

 

 

 

 

演出資訊

節目名稱:《怪盜.神判.綠珍珠》

演出日期:2023/2/22()

演出時段:10:30~11:1514:00~14:45(每天兩場)

演出時間:一場約45分鐘

演出地點:廟埕廣場→臨水劇場

(雨天於「臨水劇場」定點演出)

 

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人員名單

製作團隊人員名單
製作團隊:混域規劃製作X紅鼻子馬戲團
共同製作人:許瀚中、陳信達
導演:趙子愉
副導演暨編劇:鎮萬鈞
行政統籌:徐菱
舞監:謝易玲
執行舞監:陳妤蓁、劉函綠、黃若茵、黃湘芸、尹懷慈
戲劇顧問:張啟豐、游富凱
劇本協力:劉宥均
音樂設計:黃康寧
音樂製作:聲樣創意有限公司
京劇指導:李青峰
京劇編腔:鄧凱綸
歌仔戲編腔:連曼庭
舞臺設計:皮淮瑾
舞臺技術指導:陳賢達
舞臺技術人員:蔡念妤、劉冠佑、章書宸、沈宗逸
舞臺製作:山峸製作設計有限公司
燈光執行:王彩霏
動作設計:鄭媙
AR影像統籌:陳識安
AR動畫設計:呂秉真
AR影像製作:啟雲科技股份有限公司
動畫設計:Oliver Magee
平面設計:蘇湘尹
平面拍攝:邱蔚中
影像記錄:李昶佑、馬家睿
服裝設計:陳明澤
妝髮執行:張維君
服裝管理:林書韻
報時人員:王翊蔆
行政前臺:林秀雲
演員:
和平:楊大衛、王國讚、沈佳賢、陳冠齊
龍王:周政憲、古峰、蘇柏庭
文昌:陳泳儒、黃浚龍
差役:張孟豪、杜柏諭、陳柏森
土地婆:張琬容、張零易、廖圓融
土地公:黃聖云、曾升煌、蔡宇倫、徐凡茵
劍魚副手:張竣凱、簡克瑋
碎嘴蝦兵:張閔淳、王中淼、王翔
巨螯蟹將:王鴻麟、李承漢、陳彥霖
天聾:孫暐程、莊凱喻、程珉、何憲晟
地啞:洪亘、朱宸祐、黃冠穎、陳韋任
舞花神:李綾、蕭淳嫻、李佳勳
武花神:林妮亞、沈芝伶

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